Handbuilt with paper clay and black underglaze.
Handbuilt with paper clay, underglaze and piano wire.
Handbuilt with paper clay, underglaze and piano wire.
Handbuilt with paper clay and underglaze.
Handbuilt with paper clay and underglaze.
Handbuilt with paper clay and black underglaze.
Handbuilt with paper clay and piano wire.
Handbuilt with paper clay, inside engraved perspex tube.
Exhibited at Sydney Royal Easter Show 2016.
Handbuilt with paper clay, midfired, inside glass plinth.
Exhibited at Sydney Royal Easter Show 2016, Ceramic Study Group Made in Australia Exhibition 2016 and Clay Gulgong 2016.
Paper clay, earthenware fired underglazed and glazed tiles. Handbuilt fruit midfired.
Exhibited at Sydney Royal Easter Show 2016 and Clay Gulgong 2016
Handbuilt with coloured clays, oxides and underglazes, midfired.
Photographs by Colin Husband
Exhibited at Pork Hacking Sculptors Prize & Sculptors Society Australia Square Exhibition.
Metal & mesh frame, ceramic fibre & paper fibre clay, earthenware fired tiles.
Exhibited at Potters Society of Australia “Beyond Earth” exhibition, Manly Gallery NSW.
Wire mesh frame, ceramic paper fibre clay, earthenware fired, earthenware glazed & lustered tiles.
Photographs by Colin Husband
A reflection on the devastation caused by the 2011 Tohoku earthquake and tsunami.
Displayed at the 2012 Sculptors Society Darling Park Exhibition. Winner of the Franco Belgiorno Nettis Transfield Holdings prize.
Mixed media.
Photographs by Colin Husband
This piece is a reflection on the Australian Government’s efforts to convert native aboriginal children into “good christian white children” within the space of one generation. This generation is now known as the Stolen Generation.
Mid-fired ceramic, earthenware & lustered tiles.
Entry into 2007 Blake Prize
Wire mesh frame, ceramic mosaic
Kay Alliband 